The Tragedy of Julius Caesar
Sir Francis Walsingham, Queen Elizabeth’s Secretary of State, recommended the study of history with an eye to its contemporary applications: ‘in the reading of histories as you have principally to mark how matters have passed in government in those days, so have you to apply them to these our times and states and see how they may be made serviceable to our age’. It was in this spirit that Sir Thomas North produced his translation of Plutarch’s Lives of the Most Noble Grecians and Romanes, the main source for Shakespeare’s dramatizations of the events leading to the deaths of Julius Caesar, Brutus and Cassius, Marcus Antonius and his beloved Cleopatra, and Caius Martius Coriolanus. Julius Caesar, performed at the Globe theatre in 1599, was the first of the three plays in which Shakespeare followed Plutarch closely in exploring key moments of transition in the history of Rome.
Shakespeare may have written The Tragedy of Julius Caesar as the first of his plays to be performed at the Globe, in 1599. For it, he turned to a key event in Roman history: Caesar’s death at the hands of friends and fellow politicians. Renaissance writers disagreed over the assassination, seeing Brutus, a leading conspirator, as either hero or villain. Shakespeare’s play keeps this debate alive.
"I could be well moved if I were as you:
If I could pray to move, prayers would move me.
But I am constant as the northern star,
Of whose true-fixed and resting quality
There is no fellow in the firmament.
The skies are painted with unnumbered sparks,
They are all fire and every one doth shine:
But there's but one in all doth hold his place.
So in the world: 'tis furnished well with men,
Yet in the number I do know but one
That unassailable holds on his rank,
Unshaked of motion. And that I am he,
Let me a little show it, even in this:
That I was constant Cimber should be banished,
And constant do remain to keep him so."
Introduction to The Tragedy of Julius Caesar